In this episode, I discuss the finance module of THE PRODUCER BOOTCAMP. There also may be a few tid bits in there you didn’t think of when approaching investors.
Set your film up for success by putting together a team that actually makes a difference. Think outside the box and bring people to your team that actually have value.
Nancy is awesome. She knows her shit when it comes to distro and marketing for films. She isn’t shying away from what isn’t working and how film makers need to be readjusting their whole idea of how they see film marketing if they want their fi
Paul Jun is the co-founder and creator of a new video steaming platform incentivizing audiences to rate and review films by “gameifying” their experience. Paul is awesome. We talk about a lot in the world of film making and distribution. Enjoy.
This episode is one of my favorites. My friend Max Landwirth of Landwirth Legacy Productions has great insight into indie film producing starting from scratch to making a steady living from it.
Tax credits and incentives don’t make a bad deal good. They only make a good deal better. So how do you make sure your movie is a good deal? It’s in the margins.
Jason Charnick is not only a very knowledgeable filmmaker but also a great guy. He gives tons of awesome information to any new producers out there looking to make their first film, especially on a tight budget. We discuss mostly post-productio
I sit down with my dear friend and fellow producer Deborah Smith to discuss the emotional and mental health struggles that come with producing and filmmaking. It can get lonely and depressing making a movie or helming a project. Let’s talk abou
The more we can accept that making a movie is difficult REGARDLESS of if we DIY it or go with a distribution company, the less blind we will be to the inevitable work that lies ahead of us. Make it fun by diving into the work with good, creativ
Why are we doing everything on our own? Why does self-distribution even have the word “self” in it? Makes no sense. Community is king. There’s power in numbers.
Why hasn’t anyone challenged the 2-4 week release window yet? Why is that the metric for our film’s success? Other businesses don’t do that. Why are we giving up before we’ve even started?