Your Classical Coffee Break

Your Classical Coffee Break

Your Classical Coffee Break

A weekly Education podcast

Good podcast? Give it some love!
Your Classical Coffee Break

Your Classical Coffee Break

Your Classical Coffee Break

Episodes
Your Classical Coffee Break

Your Classical Coffee Break

Your Classical Coffee Break

A weekly Education podcast
Good podcast? Give it some love!
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Episodes of Your Classical Coffee Break

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We're taking a brief hiatus, and hope to be back by June. You can still contact us at mauriceriverpress.com. Thanks for your support. Stay well.
This coffee break wraps up the discussion on hidden messages or symbols in music. In a whirlwind, we check out the music of Richard Strauss, Richard Wagner, Modest Mussorgsky, and Mr. Somers himself to investigate the story behind the music. So
This coffee break circles back to Bach, always a wonderful thing, to explore additional hidden signatures in his Mass in B Minor. We listen to the Credo, Gloria, 0 and Et in terra pax to hear how the structure of the composition reflects his re
This coffee break continues its discussion about composers hidden signals or messages (Easter Eggs) in their compositions. We take a close look at JS Bach and the Art of the Fugue and listen to his signature name in the piece. We question why h
Was there a message hidden in a phrase of Tchaikovsky's Symphony #6 in B Minor? Was there a connection with this hidden phrase and the composer's death only 9 days after he conducted the piece? This coffee break tries to answer those questions
This coffee break wraps up our discussion on the challenges of appreciating opera. This time we listen to music which helps underscore the action and see how it adds another layer to the opera experience by listening to excerpts from Bellini's
This coffee break continues discussing the challenges to opera attendance. On the list for this show--Ticket price. The overwhelming spectacle of opera can't be conjured on the cheap. We listen to the magnificence of Verdi's Don Carlos and Wagn
The length of time of a performance is one of many reasons to avoid opera in this day and age. After we sneak a peek at how opera is used in some movies, this coffee break examines the length of time that opera takes to perform. We look at Moz
Opera! Haters gonna hate. Mark Twain once said, "I know of no agony comparable to the listening to an unfamiliar opera… that sort of intense but incoherent noise which always so reminds me of the time the orphan asylum burned down.” Mr. Herro
We are going backwards in this coffee break. For the past few shows we have heard how composers have expanded the sound of previous composer's works. This time we start off with a larger version of Carmina Burana then go smaller. Orff's discipl
This coffee break continues the exploration of how Maurice Ravel's orchestration of Modest Mussorgsky's Pictures at an Exhibition launches the piece into a different realm of sound. But does Ravel's version really give the sense of claustrophob
This coffee break revisits the idea of composers reworking and revitalizing works of composers long-dead. More than 50 years after Offenbach's death, his Barcarolle from Tales of Hoffmann was reworked by Manuel Rosenthal for Diaghelev Ballet Ru
This coffee break explores how composers update their own or other composers' work to expand on themes or sometimes change the piece completely. Mr. Somers discusses his piano work Christmas Pastorale and how 48 years later arranged it to inclu
This coffee break wraps up the discussion on the use of silence and pauses to dramatically frame music. We delve into Carl Orff's Carmina Burana masterpiece which warns about the power of luck and fate. Mahler's 10th Symphony shows how the bass
This coffee break continues its wordy discussion about the power of silence in music. We listen to a Bach piece (CPE Bach, that is) that illustrates the importance of cadence points in creating drama and surprise. Is there a joke hidden in a Ha
Music grows out of the silence that precedes it, so says Mr. Somers in this discussion how silence, or hesitation, can make a piece of music extraordinary. We listen to the Mahler's Third Symphony to hear how pauses can make the musical experie
This coffee break complete the exploration of how composers supported themselves while chasing their passion of music. Debussy lived in a Russia as a piano teacher in the house of a patron. Dvorak had to move to England to get fair compensation
YCCB continues its review of the economic life of composers and musicians. We look at Bizet who struggled financially most of his life and even was a music transcriber to support himself. Sadly for him, the popularity of his music came after hi
This coffee break continues the discussion of how the greats of classical music made a living. We discuss how the the size and complexity of the new compositions made the creation of the conductor a necessity--a new job was formed. Louis Spohr,
This coffee break continues the discussion on how classical composers and musicians made a living. We followed the trail of patronage by the Church and by royalty, but support of artists developed in other areas. Arcangelo Corelli's Christmas C
Your Classical Coffee Break returns to the topic of what artists must do to support themselves. We listen to Giovanni Gabrieli's Canon in 12 in Echo and discuss his success in working within the Church structure. Then we turn to JS Bach and dis
This coffee break begins the discussion on how artists support themselves as they pursue their passion. To explore this subject, at least pertaining to Western Culture, Mr. Somers goes back 1,000 years to see how artistry and the Church were in
This coffee break follows the evolution of the twelve-tone movement right into the post-Webern period. First off, we listen to Eliot Carter's Concert for Orchestra and a composition by Milton Babbitt to hear how abstract the sound had become in
This coffee break we take a listen to Alban Berg's startling opera Wozzeck, called an "emblematic opera of the 1920s, a harbinger of the unease and aching void of the 20thcentury, haunted by war and death, the misery of the human condition set
This coffee break tries to find it's way home in the twelve tone composition world by listening to music by Arnold Schoenberg, particularly pieces that seem like waltzes and marches, and particularly his highly influential Pierrot Lunaire. We e
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